Dixie - In Memoriam
New member
Taken from the gay activist publication, The Advocate:
http://advocate.com/exclusive_detail_ektid68058.asp
A Friend to Gays and Antigay Dictators Alike
It’s not surprising that Sean Penn, thanks to his star turn as Harvey Milk in Gus Van Sant’s biopic Milk, is becoming a hero to gays. His performance is moving and, judging by the archival film footage, flawless; Penn simultaneously renders Milk as a figure of historic importance and a vulnerable individual with a sparkling sense of humor. Aside from the acting prizes he will surely win (and deservingly), Penn is likely to earn himself the iconic status of “straight ally,” a heterosexual who goes out of his way to take a stand for gay rights and is thus showered with praise from gays. A GLAAD Media Award, honors from the Human Rights Campaign, and a slew of prizes from other prominent gay rights organizations are only a matter of time.
Which is a shame, because Penn’s political activism, irrespective of his views on gay rights, negates the values for which a movement based upon individual freedom must stand.
The same week that Milk premiered in theaters, The Nation published a cover story by Penn based on interviews he conducted recently with Hugo Chavez and Raul Castro, the dictators of Venezuela and Cuba respectively. The article is a love letter to the two men, defending them against all manner of Western “propaganda.” It hearkens back to the notorious dispatches penned by Westerners fresh from the Soviet Union who reported on the amazing progress of the workers' paradise. These worshipful epistles, often published in The Nation, neglected to mention anything about the gulag, the “disappearance” of political dissidents, the Ukrainian famine, or any other such inconvenient truths about communism. Lenin termed the individuals who delivered these apologetics “useful idiots,” and Penn and his enablers are nothing if not that.
Penn traveled to the region with the polemicist Christopher Hitchens, and while the loquacious Chavez was happy to entertain both men, the reclusive Castro was a harder get. Penn’s long-standing defense of the communist regime in Cuba, however, must have endeared him to the Castro brothers, as Raul decided to grant an interview only with the actor. The import of a communist dictator purposely deciding to sit for an interview with Penn and not Hitchens, who would have been less -- how to put it? -- deferential in his line of questioning, was apparently lost on the movie star and his readers. Reporting on his dinnertime conversation, Penn dutifully made all the standard arguments in defense of the Cuban regime, from pointing out that the Communist Party would win 80% of the vote in an open election to morally equating the United States’ Guantanamo Bay prison to Cuban jails that house the Castro brothers’ political enemies.
It’s only in the closing moments of his otherwise adulatory, seven-hour interview that Penn bothers to ask about human rights abuses on the island, and just the “allegations” of abuses at that. The lack of interest in individual liberty, hardly surprising for a far-left fellow traveler like Penn, is nonetheless ironic given the Cuban regime’s treatment of gay people, a subject that one suspects Penn might have some interest in given his critically acclaimed performance in Milk. Not long after the Cuban revolution, Fidel Castro ordered the internment of gay people in prison labor camps, where they were murdered or worked to death for their “counterrevolutionary tendencies.”
Over the gate of one of these camps were the words “Work Will Make Men Out of You,” an eerie homage to the welcome sign at Auschwitz instructing Jews on their way to the gas chambers that “Work Will Make You Free.” (The plight of gays in the Cuban revolution is movingly told in the novel Before Night Falls by Reinaldo Arenas, made into a film starring Javier Bardem. Playing a gay character in a film that has both an antitotalitarian and pro-gay message, Bardem is an “ally” less morally compromised than Penn.) In the early years of the regime, Raul Castro was notorious for ordering the summary execution of its opponents, including people whose only crime was their homosexuality. This is the man with whom Penn was “in stitches” knocking back glasses of red wine.
While homosexuality has since been decriminalized in Cuba, the communist government bans gay organizations, as it does any organization critical of the regime.
“There isn’t a single individual that is taken seriously in the human rights community -- whether you’re talking about Amnesty International, Human Rights Watch, or Freedom House -- that would describe the Castro brothers and their regime as anything other than a police state run by thugs and murderers,” says Thor Halvorssen, president of the Human Rights Foundation, which focuses on Latin America. “That Sean Penn would be honored by anyone, let alone the gay community, for having stood by a dictator that put gays into concentration camps is mind-boggling.”
...more at the link.
http://advocate.com/exclusive_detail_ektid68058.asp
A Friend to Gays and Antigay Dictators Alike
It’s not surprising that Sean Penn, thanks to his star turn as Harvey Milk in Gus Van Sant’s biopic Milk, is becoming a hero to gays. His performance is moving and, judging by the archival film footage, flawless; Penn simultaneously renders Milk as a figure of historic importance and a vulnerable individual with a sparkling sense of humor. Aside from the acting prizes he will surely win (and deservingly), Penn is likely to earn himself the iconic status of “straight ally,” a heterosexual who goes out of his way to take a stand for gay rights and is thus showered with praise from gays. A GLAAD Media Award, honors from the Human Rights Campaign, and a slew of prizes from other prominent gay rights organizations are only a matter of time.
Which is a shame, because Penn’s political activism, irrespective of his views on gay rights, negates the values for which a movement based upon individual freedom must stand.
The same week that Milk premiered in theaters, The Nation published a cover story by Penn based on interviews he conducted recently with Hugo Chavez and Raul Castro, the dictators of Venezuela and Cuba respectively. The article is a love letter to the two men, defending them against all manner of Western “propaganda.” It hearkens back to the notorious dispatches penned by Westerners fresh from the Soviet Union who reported on the amazing progress of the workers' paradise. These worshipful epistles, often published in The Nation, neglected to mention anything about the gulag, the “disappearance” of political dissidents, the Ukrainian famine, or any other such inconvenient truths about communism. Lenin termed the individuals who delivered these apologetics “useful idiots,” and Penn and his enablers are nothing if not that.
Penn traveled to the region with the polemicist Christopher Hitchens, and while the loquacious Chavez was happy to entertain both men, the reclusive Castro was a harder get. Penn’s long-standing defense of the communist regime in Cuba, however, must have endeared him to the Castro brothers, as Raul decided to grant an interview only with the actor. The import of a communist dictator purposely deciding to sit for an interview with Penn and not Hitchens, who would have been less -- how to put it? -- deferential in his line of questioning, was apparently lost on the movie star and his readers. Reporting on his dinnertime conversation, Penn dutifully made all the standard arguments in defense of the Cuban regime, from pointing out that the Communist Party would win 80% of the vote in an open election to morally equating the United States’ Guantanamo Bay prison to Cuban jails that house the Castro brothers’ political enemies.
It’s only in the closing moments of his otherwise adulatory, seven-hour interview that Penn bothers to ask about human rights abuses on the island, and just the “allegations” of abuses at that. The lack of interest in individual liberty, hardly surprising for a far-left fellow traveler like Penn, is nonetheless ironic given the Cuban regime’s treatment of gay people, a subject that one suspects Penn might have some interest in given his critically acclaimed performance in Milk. Not long after the Cuban revolution, Fidel Castro ordered the internment of gay people in prison labor camps, where they were murdered or worked to death for their “counterrevolutionary tendencies.”
Over the gate of one of these camps were the words “Work Will Make Men Out of You,” an eerie homage to the welcome sign at Auschwitz instructing Jews on their way to the gas chambers that “Work Will Make You Free.” (The plight of gays in the Cuban revolution is movingly told in the novel Before Night Falls by Reinaldo Arenas, made into a film starring Javier Bardem. Playing a gay character in a film that has both an antitotalitarian and pro-gay message, Bardem is an “ally” less morally compromised than Penn.) In the early years of the regime, Raul Castro was notorious for ordering the summary execution of its opponents, including people whose only crime was their homosexuality. This is the man with whom Penn was “in stitches” knocking back glasses of red wine.
While homosexuality has since been decriminalized in Cuba, the communist government bans gay organizations, as it does any organization critical of the regime.
“There isn’t a single individual that is taken seriously in the human rights community -- whether you’re talking about Amnesty International, Human Rights Watch, or Freedom House -- that would describe the Castro brothers and their regime as anything other than a police state run by thugs and murderers,” says Thor Halvorssen, president of the Human Rights Foundation, which focuses on Latin America. “That Sean Penn would be honored by anyone, let alone the gay community, for having stood by a dictator that put gays into concentration camps is mind-boggling.”
...more at the link.
