David Lynch, Maker of Florid and Unnerving Films, Dies at 78

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Mr. Lynch was a visionary. His florid style and unnerving perspective emerged full-blown in his first feature, the cult film “Eraserhead,” released at midnight in 1977. His approach remained consistent through the failed blockbuster “Dune” (1984); his small-town erotic thriller “Blue Velvet” (1986) and its spiritual spinoff the network TV series, “Twin Peaks,” broadcast by ABC in 1991 and 1992; his widely acknowledged masterpiece “Mulholland Drive” (2001), a poisonous valentine to Hollywood; and his enigmatic last feature, “Inland Empire” (2006), which he shot himself on video.

 
David Lynch has been accused for decades of sexism and even misogyny in his work, due largely to frequent depictions of violence against women.

Yet others see in Lynch’s work the deification of the female, and actresses like Laura Dern and Naomi Watts jump at every opportunity to work with him. “He is the master of the juxtaposition of the creepy and the sweet, the sexual and the chaste,” wrote W’s Lynn Hirschberg. “And at the heart of this tense, intriguing friction, you will always find Lynch’s women.”

The Women of Lynch is a deep, provocative dive into this paradox, featuring twelve essays, thought pieces, and impressionistic interpretations of Lynch’s depiction of women on screen by an eclectic array of accomplished female critics, scholars, performers, and writers, each tackling this vexing conundrum in her own unique way.

It also contains a brand new interview with Lynch actress Mädchen Amick (Twin Peaks). Lisa Hession interviews the original woman of Lynch, Charlotte Stewart (Eraserhead, Twin Peaks) about being the actress with longest active span of working with David Lynch.



 
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