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The event at the Yerba Buena Center for the Arts in February was titled “Love Letter to SoMa,” after the San Francisco neighborhood that the contemporary art museum calls home.
But eight of the artists involved in it staged an intervention called “Love Letter to Gaza,” altering their own works, including by spray-painting “Viva Palestine” on one, and unfurling a banner that said “No More Blood Money — Ceasefire Now.” The artists’ demands included calls for the museum to boycott Israeli institutions and “remove all Zionist board members and funders.”
In the aftermath, the museum closed its galleries for a month and its interim chief executive, Sara Fenske Bahat, resigned.
https://www.nytimes.com/2024/04/02/arts/design/israel-gaza-protests-museums.html
But eight of the artists involved in it staged an intervention called “Love Letter to Gaza,” altering their own works, including by spray-painting “Viva Palestine” on one, and unfurling a banner that said “No More Blood Money — Ceasefire Now.” The artists’ demands included calls for the museum to boycott Israeli institutions and “remove all Zionist board members and funders.”
In the aftermath, the museum closed its galleries for a month and its interim chief executive, Sara Fenske Bahat, resigned.
https://www.nytimes.com/2024/04/02/arts/design/israel-gaza-protests-museums.html