The respectable southern gentleman with a balding head, straggling white beard and a well-filled but slightly shabby suit hardly looks like the whip-wielding monster of plantation legend. Yet this is William Prince Ford, the Louisiana slave master at the heart of 12 Years A Slave, the blockbuster movie currently packing cinemas in Britain and America.
The film, based on the remarkable autobiography of free black American Solomon Northup, who was kidnapped in 1841 and sold into slavery in the Deep South, has been acclaimed as one of the most compelling accounts of the brutal slave era ever made.
The issue remains so politically toxic in the US that it took a British director, Steve McQueen, and a British star, Chiwetel Ejiofor, to bring the project to the screen. In the wake of great critical acclaim, both have been nominated for Oscars as part of an extraordinary total of nine nominations.
However, the film also has its critics, who say it ignores the kindness that Ford is known to have displayed towards his slaves and claim that the film-makers are promoting a distorted and simplified version of the truth. Ford is played in the film by a frock-coated Benedict Cumberbatch. The Baptist minister and cotton-grower is portrayed as a pompous hypocrite; a weak-willed man unable to protect Northup and his fellow slaves from sadistic overseers in the cotton fields.
In the movie, Ford’s Christian sermonising is overlaid with the agonising screams of a female slave grieving for her stolen children, an effect aimed at underlining the minister’s double standards. But Northup had little but praise for the clergyman who bought him for $1,000 at a New Orleans slave market and put him on a horrific path of servitude in which terrible injury and death were never far away.
In his memoir, published in 1853, Northup, who had been a prosperous married farmer and talented violinist in upstate New York before his kidnap, insisted: ‘There never was a more kind, noble, candid Christian man than William Ford.’ The faded photograph, the only known picture of Ford, shows him on his estate in Cheneyville, a village in dusty central Louisiana, and has been kept by members of his family. They venerate him as one of the most generous and principled of slave owners in a terrible period in American history when a series of bloody slave rebellions had thrown the pre-Civil War South into turmoil.