signalmankenneth
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Manchild at the Wheel: Trump Is the Mayhem President — And We're Just Along for the Ride
We’ve gone from our first president who, legend tells us, could not tell a lie, to the current incumbent who can do nothing but.
I know that some find it odious to compare Donald Trump to Adolf Hitler, that doing so violates what’s known as Godwin’s Law. That’s the idea first put forward in 1990 by author Mike Godwin that morphed into the notion that in an argument, whoever first compares someone or something to Hitler, loses.
But, hey, even Godwin has relented, writing in The Washington Post [3] a couple of years ago, “If you’re thoughtful about it and show some real awareness of history, go ahead and refer to Hitler or Nazis when you talk about Trump. Or any other politician.”
Besides, the prism through which I’m looking right now is that most absurd lens of all, Mel Brooks’ The Producers, the genius 1967 comedy that posits making a fortune by putting on the worst Broadway show in history and running off with the investors’ cash when it flops. The show is Springtime for Hitler, described by its lunatic playwright as, “A Gay Romp with Adolph and Eva in Berchtesgaden.”
You probably know the rest. Despite their best – or worst – efforts, Springtime for Hitler is a smash hit and our two producers are doomed. But as I watched it again for the umpteenth time the other night, what struck me as especially relevant to our current malaise was a moment on stage when the actor playing Joseph Goebbels tells the actor playing Hitler, “I just laid the morning propaganda programs on the people… I told the people we invaded England!”
https://www.alternet.org/print/news...ump-mayhem-president-and-were-just-along-ride
We’ve gone from our first president who, legend tells us, could not tell a lie, to the current incumbent who can do nothing but.
I know that some find it odious to compare Donald Trump to Adolf Hitler, that doing so violates what’s known as Godwin’s Law. That’s the idea first put forward in 1990 by author Mike Godwin that morphed into the notion that in an argument, whoever first compares someone or something to Hitler, loses.
But, hey, even Godwin has relented, writing in The Washington Post [3] a couple of years ago, “If you’re thoughtful about it and show some real awareness of history, go ahead and refer to Hitler or Nazis when you talk about Trump. Or any other politician.”
Besides, the prism through which I’m looking right now is that most absurd lens of all, Mel Brooks’ The Producers, the genius 1967 comedy that posits making a fortune by putting on the worst Broadway show in history and running off with the investors’ cash when it flops. The show is Springtime for Hitler, described by its lunatic playwright as, “A Gay Romp with Adolph and Eva in Berchtesgaden.”
You probably know the rest. Despite their best – or worst – efforts, Springtime for Hitler is a smash hit and our two producers are doomed. But as I watched it again for the umpteenth time the other night, what struck me as especially relevant to our current malaise was a moment on stage when the actor playing Joseph Goebbels tells the actor playing Hitler, “I just laid the morning propaganda programs on the people… I told the people we invaded England!”
https://www.alternet.org/print/news...ump-mayhem-president-and-were-just-along-ride