Your All-Star Rock 'n' Roll Band.

Here's mine.

alto saxophone: Fred Lipsius (Blood Sweat & Tears0
tenor saxophone: Lou Marini (The Blues Brothers)
baritone saxophone: Doc Kupka (Tower of Power)

1st trumpet: Lew Soloff (Blood Sweat & Tears)
2nd trumpet: Lee Loughnane (Chicago)
trombone: Fred Wesley (J.B. Horns)

1st keyboard: Mac Rebennack (Dr. John)
2nd keyboard: Paul Shaffer (Late Night with David Letterman)
guitar: Eric Clapton (Cream)
bass guitar: James Jamerson (Motown studio band)
drums: Charlie Watts (The Rolling Stones)
supplemental percussion: Shelia Escovedo (Prince)

vocals: Original Broadway Cast, Smokey Joe's Café

I guess that I'm not into power trios.

No love for Jack Bruce
 
Here's mine.

alto saxophone: Fred Lipsius (Blood Sweat & Tears0
tenor saxophone: Lou Marini (The Blues Brothers)
baritone saxophone: Doc Kupka (Tower of Power)

1st trumpet: Lew Soloff (Blood Sweat & Tears)
2nd trumpet: Lee Loughnane (Chicago)
trombone: Fred Wesley (J.B. Horns)

1st keyboard: Mac Rebennack (Dr. John)
2nd keyboard: Paul Shaffer (Late Night with David Letterman)
guitar: Eric Clapton (Cream)
bass guitar: James Jamerson (Motown studio band)
drums: Charlie Watts (The Rolling Stones)
supplemental percussion: Shelia Escovedo (Prince)

vocals: Original Broadway Cast, Smokey Joe's Café

I guess that I'm not into power trios.

Nothing from the Memphis Group, no Duck Dunn or Steve Cropper, you can’t much more classic rock and roll than them
 
So, no room for Bobby Keys

A lot of very good saxophonists had to be left out.

Lee Allen from the J&M studio in New Orleans.
Andrew Love from the Stax studio in Memphis.
Walther Parazaider from Chicago.
Maceo Parker from the JB Horns.
Lenny Pickett from Tower of Power and the SNL Band.

So many more that I've heard and enjoyed.
I just picked my favorites, but there were lots of good choices.
Bobby Keys was certainly among them.

I always thought that Clarence Clemons of E Street was a little bit over-rated
because he was so personally likable, but I liked him, too.

.
 
Nothing from the Memphis Group, no Duck Dunn or Steve Cropper, you can’t much more classic rock and roll than them

Andrew Love on tenor saxophone, Wayne Jackson on trumpet,
Booker T. Jones on B3 organ, Steve Cropper on guitar,
Duck Dunn on bass, and Al Jackson on drums.

All worthy contenders to be sure.
Three black and three white in the early 1960s--that was cool too.

I would never dis the Stax / Volt band, archives.
 
A lot of very good saxophonists had to be left out.

Lee Allen from the J&M studio in New Orleans.
Andrew Love from the Stax studio in Memphis.
Walther Parazaider from Chicago.
Maceo Parker from the JB Horns.
Lenny Pickett from Tower of Power and the SNL Band.

So many more that I've heard and enjoyed.
I just picked my favorites, but there were lots of good choices.
Bobby Keys was certainly among them.

I always thought that Clarence Clemons of E Street was a little bit over-rated
because he was so personally likable, but I liked him, too.

.

Never big horn guy, cares less for Chicago when Terry Kath died and it became a horn centered band
 
No love for Jack Bruce

I'm not an expert on hard rock bassists because that's not my music.
I wouldn't know if he were good or not,
but he must have been good for what he did.

My chosen bassist, James Jamerson, played on all the big Motown hits by the Temptations, Four Tops, Miracles, Supremes, etc.
But I could have just as easily chosen Duck Dunn from the Stax studio because Stax was less poppish and more soulish than Motown.
 
Never big horn guy, cares less for Chicago when Terry Kath died and it became a horn centered band

There was lots of varied music from which to pick back then; something for everybody.

Blood Sweat & Tears, Tower of Power, Earth Wind & Fire--all solid horn sections.
 
There was lots of varied music from which to pick back then; something for everybody.

Blood Sweat & Tears, Tower of Power, Earth Wind & Fire--all solid horn sections.

Always thought rock had more of a blues base than jazz, and the acid test was could it be reproduced in the high school gym, which horns presented a problem
 
Always thought rock had more of a blues base than jazz, and the acid test was could it be reproduced in the high school gym, which horns presented a problem

I agree. Jump Blues was about horns, though.
That was huge in the late forties and throughout the fifties.
But only on black radio stations, for the most part.

We had WILD in Boston back then.
I think it was only 500 watts so don't expect to hear it far from downtown!
If it existed today, it would probably be all hip hop and I'd never listen to it,
but when I was a kid, I listened to it all the time.

On Ray Charles' first hit records, aside from the girl backing singers, he had just six sidemen--
four horns, bass, and drums--no guitar--to go with his piano.
But yes, most rock became guitar oriented soon afterward.

As for the high school gym, most high schools had plenty of horn players marching on Friday nights.
Writing arrangements for larger ensembles was above high school capabilities, understandably.
Garage bands didn't even have charts in band practice.
There's a lot to be said for keeping it simple and raw--a different kind of music.
 
What is Bob Dylan's vocal range, like one-quarter octave?

I suppose that is why Bob Dylan will always be best known as a poet and notable influencer of modern age music, rather than a vocalist.

His song "Like A Rolling Stone" is still one of my top 10 Rock songs of all times though!

I've heard that song 1,000 times, and I can't think of anyone in the world, that could sing it with such emotion, or anyone I would rather hear sing it rather than Bob Dylan! :whoa: :thinking:
 
Last edited:
Never big horn guy, cares less for Chicago when Terry Kath died and it became a horn centered band

I suppose being in the Band in High School, I learned to appreciate all the contributions of horns in Rock Music through the ages.

I played sax myself, but, I still love to hear them. That is why I hung onto all of my Dad's Big Band era records. I love to still play them and hear them.

I know, I am a fanatic of Music! I like it all, except Gangsta Rap!

I even go to Black Churches sometimes, and being the only White person there a lot of times, because I have a love of Gospel Music.

I have always felt very welcomed to come and visit anytime.

If you have never been, you are surely missing out on one of America's greatest musical treasures.
 
Last edited:
Back
Top